Showing posts with label Cinematic. Show all posts
Showing posts with label Cinematic. Show all posts

Wednesday, February 15, 2012

Masquerading as a Cinephile

Since my brother and parents visited a college, I watched 6 movies over the weekend of varying subject matter and quality.  So I thought I might review them for you all.  And yes, I am working on creative things, but they aren't finished yet.  And by 'working', I mean I have some poem ideas; and by 'aren't finished' I mean I haven't started... But I want to post anyway.

(Also, before I get started, don't forget this month's theme: NOT love.  I have my idea, do you have yours yet?!)

In the extremely random order that I watched them:

Morning Glory

Why I watched it:  Rachel McAdams is adorable and I'm still in love with Harrison Ford.
This movie is pretty cute.  And Rachel's tenacity to get a job really hit home for me.  It's a decent feel-good movie, and successfully put me in a good mood.  Though that might have been the moscato.  Fun fact: Patrick Wilson (Nite Owl/ Raoul) makes a sexy appearance.  The movie is about how neurotic and eager Rachel turns around a tanking morning news show.  But mostly it's about how wry and hilarious Harrison Ford is. For that reason alone, if you are a big fan of him, I would recommend watching it.

Midnight in Paris

Why I watched it:  Again, Rachel McAdams.
Meh.  It was an okay movie.  My favorite part was when Tom Hiddleston (Loki!) makes an appearance as F. Scott Fitzgerald, also Cathy Bates as Gertrude Stein, Adrien Brody as Salvador Dali, and the fact we see Ernest Hemingway too.  I found out I don't really care for Owen Wilson, and when Rachel McAdams plays the unlikeable bitch of a fiancee, I lose interest pretty quickly.  It's about Owen traveling to 1920s Paris magically at midnight.  I would have rather just seen all the roaring 20s fun without Owen there.  I would pass it.

50/50

Why I watched it: I love Joseph Gordon-Levitt.  And my brother said this was a good movie.
I laughed, I cried, I swooned, this was a good movie.  Joseph gets cancer (no!) and has a 50% of living.  Seth Rogan, his womanizing friend, is there to make jokes and keep his morale up.  Anna Kedrick (who is just super cute) is his therapist, and she's only had 2 patients before him.  Definitely worth seeing, though I can guarantee you'll cry.

In Time

Why I saw it: Sci-fi premise of time actually being currency, also everyone is 25, also Justin Timberlake.
I missed this movie when it came out in theaters, but I'm so glad I saw it.  You kind of have to go with the 'time is currency' thing because there are no explanations, but I love a dystopic-future sci-fi flick and this is exactly what it was.  Cillian Murphy makes a great appearance as a timekeeper (aka cop).  And who doesn't want to see Vincent Kartheiser (Pete Cambell from Mad Men) as the rich bad guy?  Fun action and so much running out of time.

Drive

Why I watched it: Ryan Gosling.  And my brother said it was good.
Ryan Gosling is so pretty.  But that wasn't quite enough to keep me engaged in this movie.  It's got action and mob violence, but I just couldn't get into it.  Maybe it was all the "let's watch the character stare at stuff as we listen to music".  I don't know.  I thought this would be right up my alley, but it failed to impress.  Gosling is still very pretty.

Crazy, Stupid, Love

Why I watched it: Again, Ryan Gosling.  And ever since Zombieland, I just love Emma Stone.  And a lady I work out with said she really liked it.
I don't usually like romantic comedies, because they are stupid.  And hey, this one says it right upfront in the title.  It was interesting because it wasn't just about Ryan and Emma getting together.  It's mostly about Steve Carrell's marriage disintegrating.  Although, let's be honest my favorite part of the entire movie was Emma and Ryan.  But because that wasn't the focus, that storyline wasn't made nauseating.  Fun fact: Annaleigh, one of the plethora of America's Next Top Model contestants, is in it and not too bad.  Also, Kevin Bacon.  So I'd recommend it if you're in a sappy romantic mood, but don't want to watch Love Actually again.

Have you seen any of these?  Do you want to now?

Friday, July 22, 2011

Mashup

Okay, so I know this is a bit few years late, but this trailer is amazing and shows how similar two films could be.

http://vimeo.com/9389738

Also, all my comments have been disappearing and I don't know why.

Monday, July 11, 2011

Review

Okay, so I noticed everyone else except me has done a review. Since I have been on a movie tear lately (7 movies in 36 hours) I have decided to review an interesting selection on my list. The first day of my movie quest I watched Amelie, Winters Bone and A Woman, A Gun and A Noodle Shop (三枪拍案惊奇). Second day I watched The Life Aquatic with Steve Zissou, L'Illusionniste, Boys in Love and Megamind. Also I rented Epic Mickey, which is chock full of old school Disney references and has unfortunately one of the stupidest titles ever.

The movie I am going to review is Megamind for I think it does something different from its Shrek counterpart. I will do my review based on a few categories: Stylization and Imagery, Acting, Music and Popular Culture References.

MEGAMIND (2010)
DREAMWORKS PICTURES, INC
Summary: The supervillain Megamind finally conquers his nemesis, the hero Metro Man... but finds his life pointless without a hero to fight. (IMDB)
Trailer: http://www.youtube.com/watch?v=GL1rf9TsXzE&feature=related (Worth noting that some of the stuff that happens in the trailer isn't actually in the film.)

Stylization and Imagery:
Stylization is the restriction of the image to a certain form to create a fidelity between image and image construction. Why I put this with imagery is that in animated film it is important to create a flow between abstract realism and fidelity. The image cannot work if Mickey Mouse is in the same frame as a Pokemon, it just doesn't make sense. Dreamworks unfortunately has a problem with this especially in the Shrek movies. Sometimes the image makes sense, but human Fiona does not look like she fits in with Shrek as a result of her facial features. How to Train Your Dragon had probably some of the best stylization since Toy Story 3, so I had high expectations for this film.

The story concerns a villain becoming a hero after losing his hero. Honestly, I picked up this film based on the 'cuteness' factorial of superheros+TinaFey=Oh yeah. I had no idea what the plot was so I was kind of surprised when the hero died in the beginning of the film. You even see his skeleton and everything. I was unprepared for the villain to have an existential crisis while watching this film, where I was like "Qua? I thought this was a kids film?" There are heavy themes of death, abandonment and overall life satisfaction.

It would make sense wherein the filmmakers would soften the images in order for these overweighing themes would pervade. The images were simplistic and easy to recognize. Not too much extraneous detail and the animation looks like it took about a year from storyboard to sound checks. Nice to note that Jeffrey Katzenberg is the CEO of Dreamworks Animation after working at Disney Animation during the Renaissance. He is much more into profit than 'art,' unlike Pixar which takes at least three years to complete a film. I am not against trying to get more money for other more artistic projects, like How To Train Your Dragon, by making Madagascar 2.

The stylization was clunky sometimes, not really explaining certain character details. At a certain point his minion goes from just a fish in bowl to this: http://images.wikia.com/dreamworks/images/2/2c/340x_mm-cg-minion-02.jpg. Also, they had characters named Minion in Despicable Me, coincidence? I think not. Anyway, this character design for used for one joke, but I'll get back to that later. This is what bothered me most about this film is that costuming and sometimes even minute character actions are used for cheap jokes and don't really fit into the film. I call bullshit on simplistic animation, for animated films that have money and time at their disposal should take it a notch because Dreamworks isn't winning the animation Oscars.

Acting
Since this film is full of recognizable names I decided to see if the fidelity of their voice and acting talents fit into the film. Starting with my future husband Brad Pitt as MetroMan. I was pleasantly surprised to find that his voice and the character fit well. My initial apprehension is that the actual hero of MetroMan looked more like George Clooney than Brad Pitt. To my surprise Brad Pitt did a good job and was of course strikingly handsome. Jonah Hill was in the same boat with good voice acting matching the character. David Cross was David Cross.

My main problem is with the casting of Will Ferrell as Megamind and Tina Fey as Lois Lane (not real name, just the archetype she is playing). Will Ferrell is funny and silly naturally and so is Tina Fey. However, I envisioned the character of Megamind to be sly and goofy only because of the crazy environment he inhabits. Tina Fey is goofy, silly and wild while also being smart, and frankly not the best dramatic actress but a good comedic one. Lois Lane is calm, cool and collected with a dash of panache, but no silly characteristics.

What bothered me throughout the film was the miscasting of these people. Will Ferrell and Tina Fey were miscast. Honestly any velvety voiced actress like Kim Basinger or Halle Berry could have played the role, but I guess Tina Fey brought more of a down home silly flair to it. I wish they made her character a bit more silly and less serious so Tina Fey's comedic flair could shine. Will Ferrell, on the other hand, was miscast for I wanted the character to be more nuanced and not the detriment of Will Ferrell as an actor, but he is just too broad and silly.

This is what I call stunt casting, which has been a phenomenon since The Lion King. It is annoying only because I honestly don't give a what about who is in the movie. The benefits of stunt casting are 90% for the parents so they can recognize their favorite adult star. This is a movie where I would like people who are professional voice actors to star for they would probably be better at controlling their voice in a way to shape the character in an appropriate manner.

Music and Popular Culture
Dreamworks, babe, doll, Stop. Yes, AC/DC and Blondie did have some great songs that defined actions of characters in OTHER movies. Now they are distractions and pop up every like 5 minutes. It's annoying. It does not add to the film. I know copyright law and it is cheaper to hire an orchestra and copyright your own music. You are using the lazy method wherein your company already owns part of the film rights. STOP. One or two songs is fine. No more than that.

Popular culture references in kids movies are becoming a scourge, so that is why I liked How to Train Your Dragon. It had maybe one thickly covered pop culture reference, so the film felt refreshing. This film kept on throwing out pop culture references. It's not really that funny to make fun of Mr. Miyagi when everyone else does it. Point more fun at your own inanity with cleverly thought out description and dialogue. Do the funny nuances in character thing. IT WORKS.

Overall Rating: 7.5/10
I know this seems high after my scathing review, but the film is honestly enjoyable. I am sitting here at work wanting to watch it again which is the point of popular consumerist media. At some points I actually lolled which is rare for me. Overall the film is actually worth watching, because the themes of the film actual impactful and now makes me want to write my superhero script even more. I didn't comment on the plot, because I didn't want to give anything away but there is something there that is kind of astonishing for a kids film. Honestly if they bump up their animation and become more like How to Train Your Dragon and less Despicable Me I think they have a shot of competing with Disney.

Wednesday, June 29, 2011

Brave

Disney/Pixar. Female lead. Helmed by lady. Trailer. 'Nuff said.

http://www.youtube.com/watch?v=tYg0VgPy6Uk&feature=player_embedded